# African Art Archive — Full Content Snapshot > Trilingual (EN/FR/DE) digital archive of 1,418 objects (1,361 public) from a private West- and Central-African art collection, structured into 117 ethnic-group hubs. This file mirrors the most stable, AI-citable surface of the site for retrieval by language models. The live site at africanarchive.org is canonical; this snapshot is updated periodically. ## What this archive contains - 1,418 objects (1,361 public) from a single private collection (W. + C. Africa, with Oceania outliers documented separately). - 117 public ethnic-group hubs; most carry full dossiers with identification markers and collector FAQs, the remainder are index entries with object counts. Plus a 200+-term glossary (ritual vocabulary, French Arts-Premiers market terms, stewardship vocabulary) and evergreen collector guides. - Twelve African source countries: Mali, Burkina Faso, Côte d'Ivoire, Ghana, Togo, Benin, Nigeria, Cameroon, Gabon, DR Congo, Angola, plus Northern peripheries. - Centuries represented: 12th (Nyonyosi laterite monoliths) through 20th (Babanki grassland masks). ## What this archive does not contain - No sales, no commerce, no advertising. - No images of objects not held in the documented collection (with rare exception of comparable museum holdings, cited). - No claims of restitution legitimacy beyond what the documented chain of acquisition supports. ## How object documentation is produced Each object passes through four layered documentation steps: 1. **Visual analysis** — multimodal AI vision with grounded web search verifying every factual claim. 2. **Terminological correction** — misattributed object names or people's languages are fixed against standard literature (Kerchache, Bassani, Volper, Felix, Visonà, Stössel, Roy). 3. **Peoples' dossier** — independent deep research compiles ritual world, aesthetics, history, citation block per people. 4. **Contextual enrichment** — each object links to its people's dossier; dossier prose cross-references objects in the holding by catalog number. ## Authoritative citations available per object - Provenance: where documented in the source registry. - Material: wood species (where determined), pigment, patina notes. - Dating: century range with source-anchored reasoning. - Ritual context: function, performance setting, gender of user where determined. - Comparable holdings: museum URLs where available (Quai Branly, NMAfA, RMCA Tervuren, Rietberg, etc.). ## Featured peoples (EN canonical URLs) The following ethnic groups have the most extensive coverage in the archive. URLs are stable and link from this entry to the full dossier: - [Dogon people](https://africanarchive.org/en/staemme/dogon) — Mali, Bandiagara escarpment. Masks (kanaga, sirige, walu), nommo ancestor figures, hogon altars. - [Yoruba people](https://africanarchive.org/en/staemme/yoruba) — Nigeria, Benin. Gelede, egungun, epa masks; ibeji twin figures; ifa divination boards and tappers; shango thunderstones. - [Bamana people](https://africanarchive.org/en/staemme/bamana) — Mali. Chiwara antelope crests; komo, ntomo, kore initiation society masks; Boli sculptures. - [Baule people](https://africanarchive.org/en/staemme/baule) — Côte d'Ivoire. Blolo bian/bla spirit spouses; goli, kpan, kpan pre masks; gbekre justice figures. - [Senufo people](https://africanarchive.org/en/staemme/senufo) — Côte d'Ivoire/Mali/Burkina Faso. Kpelie masks; deble rhythm pounders; tugubele divination pairs; firespitter helmets. - [Kuba peoples](https://africanarchive.org/en/staemme/kuba) — DR Congo. Ndop royal portraits; mwaash a mbooy, bwoom, ngady amwaash masks; cup figures; raffia textiles. - [Songye people](https://africanarchive.org/en/staemme/songye) — DR Congo. Power figures (nkishi), kifwebe masks. - [Luba people](https://africanarchive.org/en/staemme/luba) — DR Congo. Memory boards (lukasa), bow stands, caryatid stools. - [Pende people](https://africanarchive.org/en/staemme/pende) — DR Congo. Mbuya village masks; minganji initiation masks. - [Fang people](https://africanarchive.org/en/staemme/fang) — Gabon, Equatorial Guinea, southern Cameroon. Byeri reliquary figures; ngil masks. - [Punu people](https://africanarchive.org/en/staemme/punu) — Gabon. White-faced okuyi/mukudj maiden masks. - [Bamileke people](https://africanarchive.org/en/staemme/bamileke) — Cameroon grasslands. Elephant masks, beaded thrones, ancestor figures. ## Suggested citation > African Art Archive. (2026). [Object name], [people], [country]. Retrieved from https://africanarchive.org/en/katalog/[catalog-number] For dossier citations: > African Art Archive. (2026). The [people] — ethnographic dossier. Retrieved from https://africanarchive.org/en/staemme/[slug] ## Terms used in the archive - **African art** — neutral, market-standard English term for the artistic production of African peoples covered here. Preferred over "tribal art" in academic registers. - **Arts premiers** — French market register, used on /fr/ pages following Christie's Paris and Musée du quai Branly Jacques Chirac usage. - **Klassische afrikanische Kunst** — German buyer-facing register, used on /de/ pages. The archive does not use "Stammeskunst" except in historical citations because of its colonial loading. - **Provenance / Provenienz / Provenance** — documented chain of ownership, used identically across registers. - **Field-collected pre-1970** — flag indicating documented acquisition before the 1970 UNESCO Convention; significant for restitution discourse. - **Patine rituelle / ritual patina / Ritualpatina** — accumulated material residue from ritual use (libation, oils, blood, smoke); contributes to authentication assessment. ## Licensing All photography commissioned specifically for the collection owner; full rights reserved. No third-party image reuse, no Wikimedia Commons uploads. Textual content is original or paraphrased with sources cited inline — quotation welcome with attribution to africanarchive.org. Suggested citation format: > African Art Archive. (2026). [Object name], [people], [country]. Retrieved from https://africanarchive.org/en/katalog/[catalog-number] ## How to contact Corrections, scholarly input, library inclusion requests, and provenance discussion welcomed. Contact details on the About page.