Dinembo (Makonde wax tattoo marks)
Raised facial and body tattoo patterns of the Makonde and their Rovuma neighbours, reproduced on masks as beads and strands of blackened beeswax pressed onto the wood rather than carved.
Dinembo are the raised tattoo patterns once worn by Makonde men and women on the Mueda plateau of Mozambique and in the neighbouring districts of southern Tanzania. The skin was cut with a small blade and rubbed with vegetable carbon, leaving dark, slightly raised lines; the repertoire was geometric (chevrons, zigzags, straight lines, dots) with occasional animal or plant motifs. The practice ended in the early 1960s and survives today mainly on the faces of the oldest generation (Dias 1964–70; Krutak).
On masks, carvers reproduced dinembo not by cutting the wood but by applying thin strands and beads of blackened beeswax to the surface. This applied wax ornament is one of the most reliable identification markers for Makonde-complex work: it is easily mistaken for carved scarification or, on small dotted examples, for pockmarks, and because the wax grows brittle with age it is often partly lost, leaving faint ghost patterns on the pigment. Carved scarification in shallow relief also occurs, especially on later helmet masks, so both techniques may be found on one piece (Kingdon 2002).
Related entries
- Lipiko (Makonde helmet mask)Makonde helmet mask carved from soft *ntene* wood, worn atop the dancer's skull in *mapiko* masquerade at male initiation and funerals; a ritual object, not a commercial carving.
- Makonma (Makonde face mask)Face-covering mask of the Makonde complex, worn over the front of the head in contrast to the *lipiko* helmet mask; more common on the Tanzanian side and among Makua and Mwera neighbours.
- Ndonya (Makonde lip plug)Upper-lip plug worn by Makonde women, rendered on female masks as a raised disc above the mouth; a Makonde-specific marker with no counterpart among neighbouring peoples.