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MOSSI Female Ancestor Figure
A majestic standing wooden female figure (1st half 20th C., 78 cm) from the Mossi of Burkina Faso — strict verticality, slight facial concavity, distinctive sagittal crest coiffure, and precise geometric scarifications across the chest, bearing a dry earthy brown patina with minor termite degradation at the base.
1. Nakomse Royal Portraiture
Mossi sculpture is highly stratified — freestanding figures like this are almost exclusively associated with the Nakomse, the ruling equestrian class.
- Markers of Royalty: The stiff upright posture and specific regional scarification identify the figure as the portrait of a deceased chief or royal spouse.
- Crest as Crown: The prominent sagittal crest echoes the elaborate hairstyles historically worn by Mossi royal women, translating political rank directly into sculptural form.
2. Political Legitimacy at the Chiefly Altar
This larger of the pair served a critical political function.
- Dynastic Proof: Kept in the chief's ancestral shrine, the figure was displayed during annual Tenga sacrifices as tangible evidence of royal continuity.
- Validating the Living Ruler: By receiving offerings, the figure validated the current ruler's authority, visually binding his reign to an unbroken chain of royal ancestors watching over the kingdom from the afterlife.
3. Termite Erosion and Age Authentication
The physical condition provides unequivocal evidence of authenticity.
- Historical Insect Wear: The base and lower extremities show natural termite degradation — a common signature for pieces stored in traditional mud-brick shrines in Burkina Faso.
- Oxidized Upper Body: The dry oxidized brown patina of the upper body, combined with the base wear, confirms genuine first-half 20th-century ethnographic use.



