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DOGON Three Bronze Hairpins/Prestige Staffs with Equestrian and Geometric Finials (cataloged as prestige rings; 19th cent., 6/7 cm; missing from Excel)
Note: visual analysis of the image reveals three long, tapered bronze hairpins or prestige staffs with elaborate finials — including an equestrian figure and geometric forms — NOT rings. The analysis below reflects the physical reality of the objects. Three long, tapered bronze implements (hairpins/staffs). The finials feature highly complex, miniature lost-wax castings: one is a dynamic equestrian figure framed in an open rectangle, another is a highly abstract geometric construction, and the third is a sleek, stylized human figure. All exhibit dark, oxidized patinas.
1. Aesthetic Style and Regional Traits
These objects represent the pinnacle of Dogon miniature lost-wax casting, transforming functional hairpins or small prestige staffs into complex architectural monuments. The inclusion of the equestrian figure — a motif usually reserved for large, stationary wooden shrine pieces — is particularly impressive. It allows the ultimate symbol of Dogon political and martial power (the Hogon or Nommo on horseback) to become a portable, highly visible badge of supreme elite status. The translation of a stationary shrine motif onto a portable hairpin format expands the iconographic reach of the equestrian into the sphere of personal display.
2. Ritual Function and Portable Authority
When worn in the hair of a high-ranking priestess or carried by an elder, these bronzes acted as powerful, public declarations of the wearer's proximity to the ancestors. The intricate finials, utilizing openwork frames and complex geometry, serve as cosmic windows, capturing the massive spiritual weight of the Dogon pantheon and condensing it into an intimate, wearable talisman designed to protect and elevate the owner. The set format may indicate gradated prestige tiers within the wearer's regalia, with each pin signaling a distinct ceremonial occasion.
3. Physical Patina and Age Verification
The authenticity of these three objects is proven by the contrasting wear on their surfaces. The long, tapered spikes of all three pins are significantly smoother and polished to a lighter bronze tone, the result of decades of being repeatedly pushed through dense hair or textiles. Meanwhile, the intricate, recessed areas of the equestrian and geometric finials retain a thick, crusty, and dark 19th-century oxidation.



